By Andrew

Orchestra

Suite Bergamasque (transcription of Debussy for large orchestra, 20:00)

Palimpsest, op. 59

Fanfares, Anthems, Peals: Rhapsody on The Bells of Iowa State, op. 53 (orchestra, choir, antiphonal brass, carillon, 9:00)

Lebwohlverfahren (Farewell Processes), op. 49 (string orchestra, 6:00)

*Some Assembly Required., op. 31 (large orchestra, 12:00)

Postcards from Laramie: Concertino for Flute and Strings, op. 32

Concert Band, Wind Ensemble, Brass Choir

Ubi Caritas, op. 57a (orchestral brass, optional timpani, 5:00)

Exordium, op. 48 (wind ensemble 3:30)

“Quod Erat Demonstrandum…”, op. 46 (wind ensemble, 3:00)

Midsummer Pavanes, op. 38 (symphonic band)

Symphony for Wind Ensemble, after Richard Serra, op. 40 (35:00)

Glass House Concerto, op. 36 (solo percussion and wind ensemble)

Ballade Variations, op. 36b (arr. of slow mvt. of Glass House Concerto for vibraphone and wind ensemble)

“This Primordial, Threatening Noise…” for winds and brass, op. 28

Roadtrip Sunrise, Prelude and Scherzo for Band, op. 25 (For young musicians)

Chamber Symphony for Winds and Percussion, op. 24 (harmonie ensemble and percussion)

Concerto for Saxophonist and Wind Ensemble, op. 15

Percussion Solo & Ensemble

Suitcase Music (Little Requiem for C.V.O.), op. 52 (solo percussion/recitation, text: Kay Ryan)

“A Certain Stunned Muteness” op. 54 (solo vibraphone)

Irretrievable Systems, op. 44 (solo vibraphone)

Stonewall Magnificats, op. 43 (eight percussionists)

Etudes and Fugues, op. 42 (solo marimba)

Rítmos Colorados, op. 39 (eight percussionists)

New Resources, op. 8, (four percussionists)

Instrumental Solo & Chamber

Chorale Variations on “Aus tiefer Not schrei ich zu dir,” op. 55 (organ)

Variations on a Filipino Melody for Clarinet, Bass Clarinet and Piano, op. 47

Rhapsody for Oboe and String Trio, op. 45

Sonata Concisa for Trombone and Piano, op. 41

Lingua Franca, op. 37 (solo A clarinet)

Sonatina for Violin and Piano, op. 35

Ritornelli Scuro e Sconosciuti, op. 34 (brass quintet)

Distances Between Us, Rhapsody for Alto Saxophone, Trumpet, and Piano, op. 33

Modular Suite for Horn and Piano, op. 30

Music for “The Laramie Project,” (violin and guitar)

Études du Désert, Five Pieces for Unaccompanied Alto Saxophone, op. 26

Sonata Accademica for Alto Saxophone and Piano, op. 23 (or bassoon)

Trio for Violin, ‘Cello and Piano, op. 22

Richard Avedon: Photographer of Influence, op. 21 (site specific string quartet)

Pillow Walk: Dance Suite for Lisa Rie, op. 17 (soprano saxophone and marimba)

Five Shapes in One Movement for Solo ‘Cello, Dancer, with Projections, op. 14

Clandestine Calaveras, op. 12, (cello and mezzo, to accompany a film by Basia Irland)

Music for “The Tunnel”, a film by Melinda Busch and JP DuBoucheron (bass clarinet and vibraphone)

Solo Vocal

Three Little Songs, op. 65 (texts by Angela Weld Grimké, Alfred Kreymborg, Carl Sandburg)

The Garden of Eros, op. 51 (tenor or baritone and piano, text: Oscar Wilde)

Rocking Song, op. 50 (unaccompanied voice)

Songs of Introspection, op. 27 (high voice and piano, text: E.A. Poe)

Three Whitman Lullabys, op. 19 (medium voice and piano)

Lorca Songs, op. 13 (medium voice and piano)

Clandestine Calaveras, op. 12, (cello and mezzo, for a film by Basia Irland)

Choral

The Approach of Winter, op. 62 (SATB, text: William Carlos Williams)

The Little Peach, op. 60 (SSA and piano, text: Eugene Field)

Credo, op. 58 (SSA and piano, text: Alfred Kreymborg)

Ubi Caritas, op. 57 (SATB)

An Ended Day, op. 56 (SATB, text: Walt Whitman)

Memory, hither come (SATB and piano, text: William Blake)

Three Blake Choruses, op. 29 (TTBB and piano, text: William Blake)

Invocation, op. 18 (SATB chorus, text: Alexis Kivi)

Solo Piano

2020: Suite for Piano, op. 61

Pencil Pieces, op. 63

Tre Pezzi Italiani, op. 64

 

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